How Rilke described his first meeting with Rodin in a letter to his wife Clara on September 2, 1902.

Yesterday, Monday afternoon at three o’clock, I was at Rodin’s for the first time. Atelier 182 rue de l’Universite. I went down the Seine. He had a model, a girl. Had a little plaster object in his hand on which he was scraping about. He simply quit work, offered me a chair, and we talked. He was kind and gentle. And it seemed to me that I had always known him. That I was only seeing him again; I found him smaller, and yet more powerful, more kindly, and more noble. That forehead, the relationship it bears to his nose which rides out of it like a ship out of harbor … that is very remarkable. Character of stone is in that forehead and that nose. And his mouth has a speech whose ring is good, intimate, and full of youth. So also is his laugh, that embarrassed and at the same time joyful laugh of a child that has been given lovely presents. He is very dear to me. That I knew at once. We spoke of many things (as far as my queer language and his time permitted)… . Then he went on working and begged me to inspect everything that is in the studio. That is not a little. The “hand” is there. C’est une main comme-ça (he said and made with his own so powerful a gesture of holding and shaping that one seemed to see things growing out of it).

(via fourteenth)

Advertisements

ντισκάς

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s